
Projecting serenity by day and a ghostly effect under a moonlite night, the Darchor is a vertical Tibetan prayer flag raised annually during the Tuosui’ ceremony to spread good will and compassion to all. As such, they are often found high above ground levels such as rooftops and mountain passes to ensure the unobstructed wind passes over their surfaces thereby purifying the air with mantras.

Be it traditional tantric influenced, middle-of-the-road, or avant garde art, Tibetan artist are fiercely express their identities breaking away from ‘mystics’ and ‘ethnic’ works. External influences – social, pyschological and economic changes in the world – seems to be the driving force for most, but in some cases its purely individual expression.

The Tibetan Autonomous Region is the poorest Chinese region with annual per capita income of less than USD 100. Where central subsidies and investments are channelled only to the Chinese administrators and settlers, couple with fierce discrimination and oppression, Tibetans have imposed self ‘exile’ to harsh, arid and rural areas defending for themselves, their freedom, culture and religion.

During the Daoist Nine Emperor Gods Festival or Kow Ong Yah that falls on the 9th day of the 9th moon in the Chinese lunar calendar, mediums goes into deep trance and perform unbelievable feats including immersing themselves in hot oil, piercing themselves with sharp, long spears and swords, in addition to walking through fire unscathed.

Indian astrology is a branch of Vedic science that has been widely believed and commonly to the point of being funded by the State for research, is now wanning in popularity. Nonetheless the negative effects of marrying a Mangal Dosha, or ‘manglik’, remains a concern and movies have been resorted to to downplay this superstition.

At the call of the Azan (Arabic: أَذَان), Muslims around the world make haste towards prayer – Hayya ‘ala-Salāt. Salāt (Arabic: صلاة) is obligatory for all adult Muslims, and its supreme importance is indicated by its status as one of the Five Pillars of Sunni Islam. Ritualistic in nature, it is to be performed in prescribed conditions, procedure, and times; hence the use of Azan as a summon.

“When it is Friday, the angels stand at every door of the mosque and record the people in order of arrival, and when the Imam sits on the pulpit for delivering the sermon, khutba, they fold up their sheets and listen to the mention of Allah, the speech.” Prophet Muhammad (as reported by Abu Hurayrah)

Wat Ban Rai shot to fame for its ‘notoriety’ for 2 reasons: Luang Phor Khoon’s willingness to embrace commercialisation, and its open door policy that recruits novice monks with colourful past, spoting body art and nicotine fixes. Known for his magical powers, Luang Phor has a large following and impressive monastery.

Dāna (donation) is one of the central practices in early Buddhism that is said to have the effect of purifying and transforming the mind of the giver where generosity arising for the act of giving leads to being reborn in happy states. Built on interdependence between donors and renunciants, the act of dana has enabled Buddhism to survive, flourish and expand.

Buddha: Born in the forest. Enlightened in the forest. Taught in the forest. Died in the forest. 2,500 years later, the Theravada forest monks continues the practice, teachings and codes of monastic conduct expounded by Buddha in more than 200 forest monasteries throughout Thailand and the West – Europe, Australasia and North America.

The custom of sending the second male child to the monastery prevails in Tibetan influenced parts of India. These children generally fell into 3 categories: pious believers, children of poor serfs and those sent to temples to meet a quota. Although life in the monastery is difficult and dull to many young children, modern day comforts have made their presence.

While Vaishnavism, Saivites and Smartism differ in their views of “the Hindu triad” or the “Great Trinity” that comprise of Brahma the Creator, Vishnu the Perserver and Shiva the Destroyer, the Javanese holds on to their very own beliefs and legend about the Prambanan.

The first exodus into India took place in 1959 in the wake of the failure of the Lhasa Uprising. Today, approximately 220,000 Tibetans are dispersed globally and Tibetan Buddhism has a following of more than the population of Tibet despite accusations of charlatanism, commercialism, power-politicking, immoral behaviour and radically different teaching across the four schools.

The 14th Dalai Lama is 572 years old by the Gelugpa Buddhist reckoning of reincarnation of his predecessors. An inspiration for 6 million Tibetans, and 100,000 impoverished Tibetan refugees in India and Nepal who followed his lead into exile, photos and newspaper cutting of him are found around the TRSHC.

Atsaras (jokers) plays an important part in Chaams as with other religious theatrical performances in the world. Aimed at entertaining spectators at intervals, more importantly the persona of Atsaras acts as a counteract to the sinister, oppressing, impressions created by the wrathful, threatening deities.

Performed by monks on the same days across a few Kagyupa monasteries in Sikkim, Ladakh and Nepal in honour of the Mahakala (the Great Protector), this dance has been hosted by monasteries for more than 275 years with choreography from the 1st Karmapa based on his ability to see deities.

The big, colourful masks with grotesque expressions worn by the Dancing Lamas portrays the Lord of Death, Padmasambhava, the God of Wealth, and the protector of horses and other animals. Hand crafted by the Lamas themselves, the masks are generally made of wood and papier-mâché with a thin coat of plaster.

As the chaams is often about the expulsion of negative influences and exorcisms of spirits, the preparation of the chaams is in itself an elaborate ritual of days of recitations of 400 pages long of Buddhist scriptures, countless of prostrations, burning of incenses and circling of the monastery with the accompanying drones secular and religious music.

Often mistaken as the most important element of any Chaam, the Dorjee Lopon, or Single Black Hat Dance is performed solo by a dancing lama who adorns the heavy but miraculous and magical black hat that transports the wearer to a particular state of manifestation. Legend has it that the Black Hat was made from the hair of female angels and offered to the 1st Karmapa.

The Rol Chaam is unique to Sikkim; having been introduced by Chogyal Chgdor Namgyal in Tsuklakhang Monastery. The Rol Chaam which signifies a musical offering to the presiding deities of the locality, as well as the monastery it is performed in, is performed by 12 dancers after the recital of a one-page prayer book.

Chinese Opera is now an incidental ‘performance’ limited to temple celebrations and festivals associated with the need to appease and honour deities. Stylised language, symbolism and feudal stories performed are irrelevant in today’s context, but the poliferation of gloablisation has brought new entertaintment.

One of the three oldest dramatic art forms in the world, the delivery of the Chinese Opera’s beautifully written and lyrical dialogues are accompanied by melodious tunes produced by skilled musicians on traditional musical instruments like the Erhu, gong and lute.

The term halal (حلال ḥalāl) and haraam are applied to many facets of life but the most common uses of these terms is in reference to meat products, in particular the slaughtering method used. Whilst the prescribed method of Ḏabīḥah (ذَبِيْحَة) has been applied for centuries, debate on if its inhumane continues despite scientific evidences suggesting otherwise.