
Atsaras (jokers) plays an important part in Chaams as with other religious theatrical performances in the world. Aimed at entertaining spectators at intervals, more importantly the persona of Atsaras acts as a counteract to the sinister, oppressing, impressions created by the wrathful, threatening deities.

Performed by monks on the same days across a few Kagyupa monasteries in Sikkim, Ladakh and Nepal in honour of the Mahakala (the Great Protector), this dance has been hosted by monasteries for more than 275 years with choreography from the 1st Karmapa based on his ability to see deities.

The big, colourful masks with grotesque expressions worn by the Dancing Lamas portrays the Lord of Death, Padmasambhava, the God of Wealth, and the protector of horses and other animals. Hand crafted by the Lamas themselves, the masks are generally made of wood and papier-mâché with a thin coat of plaster.

As the chaams is often about the expulsion of negative influences and exorcisms of spirits, the preparation of the chaams is in itself an elaborate ritual of days of recitations of 400 pages long of Buddhist scriptures, countless of prostrations, burning of incenses and circling of the monastery with the accompanying drones secular and religious music.

Often mistaken as the most important element of any Chaam, the Dorjee Lopon, or Single Black Hat Dance is performed solo by a dancing lama who adorns the heavy but miraculous and magical black hat that transports the wearer to a particular state of manifestation. Legend has it that the Black Hat was made from the hair of female angels and offered to the 1st Karmapa.

The Rol Chaam is unique to Sikkim; having been introduced by Chogyal Chgdor Namgyal in Tsuklakhang Monastery. The Rol Chaam which signifies a musical offering to the presiding deities of the locality, as well as the monastery it is performed in, is performed by 12 dancers after the recital of a one-page prayer book.