Dating back to Song (960-1279) and Yuan (1271-1368) Dynasties Chinese Opera face makeup plays a symbolic artistic function of expressing commendatory and derogatory connotations and that of differentiating benevolence and malevolence. Spending hours to depict the stereotypical characters they play, opera actresses and actors applies the face paint with horse-hair Chinese brushes themselves.
Chinese Opera is now an incidental ‘performance’ limited to temple celebrations and festivals associated with the need to appease and honour deities. Stylised language, symbolism and feudal stories performed are irrelevant in today’s context, but the poliferation of gloablisation has brought new entertaintment.
One of the three oldest dramatic art forms in the world, the delivery of the Chinese Opera’s beautifully written and lyrical dialogues are accompanied by melodious tunes produced by skilled musicians on traditional musical instruments like the Erhu, gong and lute.